This is a challenging topic as it varies from person to person based on their art preferences. Some artists prefer working with 1-3 pigments, while others prefer using the entire spectrum. I enjoy using only one color ink pen with a wash, or sometimes multiple pigments, particularly when time is of the essence or if I require a precise color scheme for a field study. I encourage artists to challenge themselves and experiment with their techniques, as the results can be surprising.
When it comes to selecting pigments, the choices can be overwhelming. My basic palette consists of a warm and cool palette, including 2 blues, 2 yellows, and 2 reds, from which any color can be mixed. This approach allows for versatility and the ability to create a wide range of hues. However, depending on the subject matter or the season, I may choose to add or remove other pigments to better capture the essence of what I am observing.
Time management is a crucial aspect of art creation, and it often influences the choice of techniques. Due to time constraints, I sometimes don't allow layers to dry and opt for a broader range of colors. However, for those looking to achieve greater depth and vibrancy in their work, I recommend letting each layer dry thoroughly and adding several layers to build up the desired richness.
One technique that can significantly impact the outcome of a piece is mixing colors directly on the paper rather than on the palette. While this method requires practice and patience to master, the rewards in terms of color blending and texture can be truly remarkable. It adds a dynamic element to the creative process and can lead to unique and unexpected results that enhance the overall visual impact of the artwork.
Sketching around a creek. Devoran, Cornwall